A Maze.
... celebrating the convergence of
games, art and society.
games, art and society.
BIP - Festival - Call for works!
DEADLINE POSTPONED TO MAY 25TH !
01
WHAT WE ARE LOOKING FOR
The idea is stronger than materials. It doesn't matter about the type of products that are used:
if an idea is good soars anyway.
This BIP edition's theme is Leonardo's flying machines.
Much with little. And 'this is what we seek in your ideas.
The BIP offers the opportunity for young artists, designers,
students and enthusiasts around the globe, to show to the world
their creations in the exhibition spaces in the ElettroWave 2010 Festival.
We are looking for love in design, new ideas and much enthusiasm.
Projects should be the final work of the of the proposer. Not vague ideas. Real projects, which may significantly enrich Elettrowave and actively involve public.
We are looking for innovative projects, in which passion could make the difference.
Interactive installations, audio projects and / or visual, environments, etc..
The clubbing is the context, not the subject of the BIP.
If the project is, at the moment of subscription , still in an early stage we ask you for something demostratingh that will be finished in time for the exhibition at the festival.
Remember that the projects should endure 2 nights of intensive use, in
an indoor space crowded by thousands of people. Consider then
their feasibility in relation to the context and all the possible limitations in
construction.
02
SUBMISSIONS
Submissions open to (interaction) designers, artists, researchers,
architects and students from around the world.
Participation is free.
03
DEADLINE
All projects must be received by May 25, 2010.
Projects submitted after the deadline will not be accepted. Participants
should ensure the originality and authorship of the project sent.
The list of selected projects will be published on the site of BIP /
Elettrowave and published in a press release by the end of May.
04
PROJECT SELECTION
The selected projects will be presented during Elettrowave 2010
(23/24 July) and will remain available to the public during all
festival: a valuable opportunity to test your project
interactively in the context of a festival of electronic music.
BIP does not have large resources.
The total budget will be divided among the projects selected, depending on
the needs of production, transportation and installation.
We will also cover travel expenses and hospitality for the authors of the
selected projects. Equipment and technologies in common use
(projectors, screens, sound systems, monitors, mixers, etc..) will also
available if required.
05
SUBMISSIONS
The subscription form, and all instructions for sending the projectl is
available online.
The form must be completed in all its parts.
Not conform material will be refused.
The material received will be included in the archives of the festival and wont
be returned.
Each participant can bring a maximum of 2 projects.
Groups of people will have to register with one name.
06
COPYRIGHT
All rights and intellectual property of the project is only of
designer. By entering the competition, designers provide a BIP
the right to publish and promote, in whole or in part, the project
sent, without further authorization and notice, and without
pay any compensation to the author.
BIP assumes that the projects submitted is original and that the paternity of
ideas both of the participant. BIP could not be considered responsible in case of
violation of copyrights of third parties, including (but not
limited to) claims of copyright, trademarks, violations
patent. BIP also assumed that all images and materials
audiovisual included in the project, are free of any copyright of
third parties. BIP will publish all of author references of
photographic and audiovisual materials, if included.
07
INFO
To request more information write to:
bip@elettrowave.eu
08
CREDITS
BIP 2010 International Festival of interaction design projects for events and public spaces is a project by Fondazione Arezzo Wave Italia, in collaboration with WERKBOOKINGS and INTERACTION FACTORY and with the cooperation of the The Department Communication Sciences at the University of Siena.
